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New Historicism free essay sample

There are no realities †just translations (Tyson 286) Power circles from every social level at unsurpassed (Tyson 287) â€Å"history is neither straight (†¦) nor dynamic (†¦)† (Tyson 287) no all inclusive soul of an age †consistently resistance (Tyson 287) investigation of history is consistently abstract (Tyson 287) Individual and culture characterize one another (Tyson 287) New historicism applied to writing â€Å"(†¦) the artistic content and the verifiable circumstance from which it rose are similarly significant (†¦)† (Tyson 288) a? â€Å" (†¦) they make each other† (Tyson 289) In this way New Historicism doesn't see a scholarly book as a secluded article yet needs to find out about the foundation and the lifestyle of the individuals at when it was composed. Social Criticism needs â€Å"(†¦) to make associations between the abstract content, the way of life wherein it developed, and the way of life wherein it is interpreted†. (Tyson 295) New Historicism and Cultural Criticism are difficult to recognize †they vary just in barely any focuses Differences of Cultural Criticism to New Historicism †¢ progressively political a? frequently bases on Marxist, women's activist or other political hypotheses ( Tyson 294) particularly keen on the mainstream society ( Tyson 294) presence of a high-/low culture which the predominant class chooses ( Tyson 294) New Historical Reading of F. That agethe development of print culture, the rise of the open circle as a vehicle of impact, and the dissemination of information in the United Stateshas been productively concentrated from New Historicist perspectives. So those are the fields that are most straightforwardly impacted by this methodology. At the point when we examine Jerome McGanns exposition, youll perceive how it impacts Romantic investigations. Presently the New Historicism wasand this presumably represents its surprising fame and impact in the period generally from the late seventies through the mid ninetieswas a reaction to an expanding feeling of moral ailure in the separation of the content as it was supposedly drilled in specific types of abstract investigation. Starting with the New Criticism through the time of deconstruction, and the recondite talk of Lacan and others in therapy, there was an inclination boundless among researchers, particularly more youthful researchers, that some way or another or another, particularly in light of squeezing concerns-post-Vietnam, worries with globalization, worries with the dispersion of intensity and worldwide capitalall of these worries nspired what one can just call a blame complex in scholastic artistic grant and prompted an arrival to history. It was felt that a sort of moral tipping point had been shown up at and that the methods of examination that had been prospering should have been supplanted by methods of investigation in which history and the political ramifications of what one was doing got conspicuous and focal. I need to state that in discussions of this sort theres consistently a lot of tourist, perhaps on the two sides. From multiple points of view its not the case that the purported secluded methodologies truly were disconnected. Deconstruction in its subsequent age expounded ceaselessly on history and embraced to situate the strategies of deconstruction to a comprehension of history, just to give one model. The New Historicism, then again, displayed a distraction with issues of structure and printed trustworthiness that surely followed from the controls, the methodologies, that went before them. Likewise to an enormous degreeand 1 of 10 03/24/2012 11:47 ?.? PRINT Open Yale Courses http://oyc. yale. edu/transcript/469/engl-300 this is, obviously, valid for a decent numerous different methodologies that were going to explore, approaches situated in inquiries of character alsoto a huge degree, appropriated the language of the age of the deconstructionists and, to a limited degree, certain basic structuralist thoughts having to do with the twofold connection between self nd other, and parallel connections among social substances, instead of semantic elements; yet at the same time, as I state, basically acquiring the structure of thought of going before approaches. In this way, as I state, it was in a polemical air and at a snapshot of far reaching self-question in the scholastic abstract calling that the New Historicism came into its owna reaction, as I state, to the seclusion of the content by specific strategies and ways to deal with it. Part 2. The New Historicist Method and Foucault [00:06:16] Now rapidly: the technique for New Historical investigation fell into an example, a drawing in one, one that is magnificently exemplified by the short presentation of Greenblatt that I have requested that you read: an example of starting with an account, frequently rather far abroad, at any rate clearly rather far away from home, from the abstract issues that are in the long run gone to in the contention of a given paper. For instance: a dusty mill operator was strolling not far off, contemplating nothing specifically, when he experienced a bailiff, at that point certain lawful issues emerge, and some way or another or another the before you know it were looking at King Lear. This fairly wonderful, slanted path into artistic subjects was inferable from the brightness in dealing with it of Greenblatt, specifically, and Louis Montrose and a portion of his partners. This procedure turned into a sort of a sign of the New Historicism. Over the long haul, obviously, it was simple enough to spoof it. It has been exposed to spoof and, from a specific perspective, has been adjusted and reprimanded by the predominance of farce; however it in any case, I think, gives you something about the manner in which New Historicist thinking works. The New Historicism is intrigued, following Foucaultand Foucault is the essential effect on the New Historicism. I wont state as much about this today as I would feel obliged to state on the off chance that I werent before long be going to come back to Foucault with regards to sexual orientation contemplates, when we take up Foucault and Judith Butler togetherbut I will say quickly that Foucaults composing, particularly his later composition, is about the inescapability, the course through social requests, of what he calls power. Presently power isn't justor, as a rule in Foucault, not even essentially the intensity of vested specialists, the intensity of savagery, or the intensity of oppression from above. Force in Foucaultthough it very well may be those things and every now and again isis considerably more inescapably and furthermore guilefully the manner by which information flows in a culture: in other words, the manner by which what we think, what we feel that it is suitable to thinkacceptable thinkingis circulated by to a great extent inconspicuous powers in an interpersonal organization or a social framework. Force, at the end of the day, in Foucault is from a specific perspective information, or to put it another way, it is the clarification of how certain types of information come to existknowledge, incidentally, not really of something that is valid. Certain types of information come to exist in specific spots. So the entirety of this is vital to crafted by Foucault and is persisted by the New Historicists; subsequently the enthusiasm for them of the tales. Start as far away from home as you can comprehensibly begin from what you will at long last be discussing, which is most likely some printed or topical issue in Shakespeare or in the Elizabethan masque or whatever the case might be. Start as far abroad as you can from that, accurately so as to show the inescapability of a particular sort of reasoning, the inescapability of a specific social imperative or constraint on opportunity. On the off chance that you can show how inescapable it is, you fortify and legitimize the Foucauldian thought that force is, as Ive stated, a tricky and omnipresent method of circling information. The entirety of this is verifiable, once in a while express, in New Historicist ways to deal with what they do. 2 of 10 03/24/2012 11:47 ?.? Open Yale Courses http://oyc. yale. edu/transcript/469/engl-300 Chapter 3. The Reciprocal Relationship Between History and Discourse [00:10:56] So as I stated, Foucault is the vital precursor and obviously, when its an issue of Foucault, writing as we need to think about itperhaps conventionally or as a specific sort of articulation rather than different kindsdoes will in general breakdown once more into the more extensive or increasingly broad thought of talk, since its by methods for talk that force flows information. By and by, in spite of the way that New Historicism needs to return us to this present reality, it by the by recognizes that that arrival is language bound. It is by methods for language that this present reality shapes itself. That is the reason for the New Historicistand by this implies, Ill turn in a second to the sublime account with which Greenblatt starts the short exposition that Ive asked you to readthats for what valid reason the New Historicist lays such exceptional accentuation on the possibility that the connection between discoursecall it writing on the off chance that you like, you ight as welland history is complementary. Indeed, history conditions what writing can say in a given age. History is a significant method of understanding the valency of specific sorts of expression at specific occasions. As such, history isas its generally thought to be by the Old Historicism, and Ill get to that in a minutehistory is a foundation to talk or writing. In any case, by a similar token there is an organization, in other words a limit, to course control in talk thus. Call it writing: I am Richard II, know you not that? says Queen Elizabeth when at the hour of the undermined Essex Uprising she gets wind of the way that Shakespeares Richard II is being performed, as she accepts, in the open lanes and in private houses. As it were, any place there is rebellion, any place there are individuals who need to oust her and supplant her with the Earl of Essex, the actor to the seat, Richard II is being performed. All things considered, presently this is unnerving to Queen Elizabeth since she knowsshes a supporter of the theatershe realizes that Richard II is about a lord who has numerous ideals however a specific shortcoming, a political

Fall 2014 Transfer Update - UGA Undergraduate Admissions

Fall 2014 Transfer Update - UGA Undergraduate Admissions Fall 2014 Transfer Update Starting today, we are now reviewing Fall 2014 transfer applications for admission.While we would have preferred to start this process earlier in the year, we had to rebuild the entire transfer articulation process from the ground up in our new system. In the past, we have been able to review about 30 files a day, but we do not know how many we will be able to do in our new system until we have had a few weeks of actually doing transfer decisions. We are not able to tell individual students when they will have a transfer decision, as it depends on many factors. In general, we try to process transfer files based on the order in which they were completed, so a person that applied and had all items in to us in February should hear a decision before a person who applied and had all materials in to our office in March. To have a complete application, we must have transcripts from every college attended, including dual enrollment work done while in HS. As well, we need to have the most up to date transcript, so for instance if you sent us a transcript without fall 2013 completed, we need an updated transcript with fall courses and grades in order to make a decision. At times though, we are not able to make decisions based on the date order of completion due to a transfer application being complex. A few examples are the following; The first would be from a college we have rarely or never worked with before, thus causing us to review courses in detail from another university. The second would be a student with a large number of hours (90 plus) where we have never reviewed upper level courses. Third, an applicant with 3 plus colleges with rarely seen classes. Last, colleges with unusual grading scales (or no grades), unusual courses that do not match UGA in any way (I have seen a Tarot card design class), etc. There are probably more examples, but these are the most common. Decisions (both admits and denials) are made daily, and decisions will then show up on the myStatus page the following business day. Again, we cannot guess when a specific student will hear a decision, so please do not ask, as I can only say I do not know. We will post additional updates as we are able to, and thanks for your patience. Go Dawgs! Fall 2014 Transfer Update - UGA Undergraduate Admissions Fall 2014 Transfer Update There have been a number of changes in admissions for Fall 2014 transfer applicants, so I will try to cover this information as best as possible. The Fall transfer applicants will be the first group of students with transfer work in our new system. While we normally begin the Fall transfer review process in March, I expect we will begin the process this year in the first week of April. The reason for the delay is due to the fact that we are having to convert all of the transfer articulation/equivalency information from our old system to our new system, and a large part of that has to be done by hand. This is not a quick process, and our evaluation team is working on this as I type this post. We hope to have good percentage of the most common transfer colleges data in shortly, which will then allow us to start the process. With the new system in place, we are now able to use plus/minus grades from other colleges in our transfer GPA calculation, and they will translate to UGAs plus/minus grades. This only impacts students attending a college with a plus/minus grading system, but it is a change from the past, so we want you to know about it. Starting in Fall 2014, admitted transfer students who want to attend UGA will be required to submit a non-refundable commitment deposit to hold a space in the fall class. This will be a $100 deposit, and it will used to pay for orientation. We do not have a deadline yet for the deposit this year, as we are working on a later time frame than normal. Transfer decisions are made on a daily basis (M-F), and decisions will be mailed out and will be available on the myStatus page the work day after a decision is made. We ask for your patience as we implement this new system, as it takes a while to get everything up and running for a new system. There were slight delays with certain things in September for freshman applicants, so I expect there might be a few things to iron out as we start the fall transfer process. Go Dawgs! Fall 2014 Transfer Update - UGA Undergraduate Admissions Fall 2014 Transfer Update We are continuing to work as quickly as possible to review the 2014 Fall transfer applications. At this time, we have made roughly 550 decisions of the 2400 applications (2000 or so who are complete) we received this year. Based on this weeks numbers, we are averaging about 65-70 decisions being made per day, which is an increase over both last year and over the first weeks of reviewing files in our new system. As such, I expect for a large volume of decisions to go out in the next 2 weeks. In looking at past years, while we are behind our normal timeline, I do not project we will be too far off historically by mid-May. At some point in time, though, this will slow down a little bit due when we get deeper into the tougher transfer applications. Please remember we cannot tell you when you will have a decision as this depends on many factors. Applications are generally processed in the order in which the file was completed, but this is not always the case, as some files are more challenging, are from colleges where we are having to build a catalog in the new system, or are just complex. As well, I am not able to look at each individual file to see why someone did nor did not receive a decision based on X date. I have taken a crash course in Transfer Articulation over the past 5 weeks, and am now one of the people reviewing transfer files, thus each issue I have to look at takes away from time spent reviewing transfer files. Most applications completed by the end of February or earlier have been reviewed with some exceptions, and we are working on a number of files completed in the first week of March. If you are transferring from an out-of-state college or a college we have not had many students apply from, your application may take a bit longer to review and thus the timeline would not be correct for your situation. Transfer decisions are updated daily on the status check, and the myStatus page is updated at about 6 am every morning. If you have been admitted and want to see how your courses transferred, you can use the transfer equivalency chart off the admissions website. If you have submitted a deposit (fall transfer and beyond requirement), you can log on toDegreeWorks. Visit the Orientation site as well to learn about your next stepsand to register for a session. I hope this helps, and I will try to keep everyone updated. Fall 2014 Transfer Update - UGA Undergraduate Admissions Fall 2014 Transfer Update At this time, we have made decisions on roughly 80% of the Fall transfer applications that are complete and ready for review. This leaves us with about 400 or so files to still review for admissions, along with the checking of incomplete files for any missing documents/unusual circumstances. Starting today, we will be taking a slightly different approach to the remaining transfer applications that are fairly complex and time consuming, generally with multiple college transcripts and/or from colleges that we do not see very often. Usually, if we admit a student, the next step would be to enter their work into our articulation form in our student system, and we would then post the equivalent coursework into the system as well. As you can guess, this is the complex and time consuming part of the process. For these remaining applications, we will postpone this time consuming step, and make a decision without posting the credit. The student will generally be able to see what transfers into UGA and how it transfers through our transfer equivalency system, and this will mean that we will be able to make a vast majority of these decisions over the next few days. While we will still have a few applications where we are not able to make a decision yet, due to either an academic office at UGA wanting to review the file as well or some oddity with the file, we should be able get through almost all files within 2-3 days this week. In addition, we will continue to work on entering in work for articulation purposes, both for these applicants and for any updated spring courses for our admitted Summer and Fall applicants. We will also be tracking these applications daily, and if any of the accepted students with non-articulated work submit a deposit, we will then articulate the work ASAP. While this is not a perfect solution, we hope that this will move things forward for almost all transfer applicants who are still waiting on a decision.

The American Civil War - A Short History

Love Expression in A Room With a View - 1019 Words

Imagine being required to marry someone because of the family you belong to instead of being able to meet someone, fall in love, and marry them. In 2011, no one I know could imagine being told by their parents or expectations of their society who you have to marry whether you like them or not. Forester writes about love in A Room with a View. He believes love is important, even though, the book is set in an English society about 100 years ago, where love is not important, at a time when people are encouraged to strictly follow the rules and ethics of their place in society. Civilized people believe love and romance is less important than following the rules and expectations of a prim and proper existence. Some characters such as Mr.†¦show more content†¦Lucy is with Cecil her fiancà © of obligation and George who passionately loves her in the garden. As they are going back to the house, George and Lucy run up ahead of Cecil, and they kiss, Cecil doesn’t even notice. â€Å"She led the way up the garden, Cecil following her, George last. She thought a disaster was averted. But when they entered the shrubbery it came. The book, as if it had not worked mischief enough, had been forgotten, and Cecil must go back for it, and George, who loved passionately, must blunder against her in the narrow path. ‘No—‘she gasped, and, for the second time, was kissed by him† It was dangerous to express passion in front of a woman’s fiancà © at any time, but particularly in England at this time. Here George’s Dad, Mr. Emerson, is speaking. This is quite a different view than a good member of English society would have lived by. â€Å"’I taught him,’ he quavered, ‘to trust in love. I said: ‘When love comes, that is reality.’ I said: ‘Passion does not blind. No. Passion is sanity, and the woman you love, she is the only person you will ever really understand’† (192). Here Mr . Forester is suggesting that love is more valuable, honest, and important than in any relationship than the social classes and social expectations of the time. In this story there is an ongoing struggle between following the rules and expectations of a strict society to marry the proper person, or getShow MoreRelatedThe Problem Of Self-Expression In 1984 By George Orwell848 Words   |  4 Pagesconscious (Orwell70). In George Orwells 1984 he shows the authority a government can have on ones life even when all they want is self-expression. Many are too frightened to rebel, yet when one does it impacts his life forever. Even though the society of 1984 by George Orwell claims to be complete and total censorship, the problem of wanting more self-expression is still evident which is shown through indirect characterization, symbolism, and themes. George Orwell 1984 utilizes components of indirectRead More`` Wuthering Heights `` By Emily Bronte1503 Words   |  7 Pageshelplessness. Cathy then leaps into a fit of anger and demands that Heathcliff hand her the room key, at which point Heathcliff pauses and is â€Å"[surprised] at her boldness; or, possibly, reminded, by her voice and glance, of the person from whom she inherited it† while Cathy attempts to yank it from his grasp (Brontà « 259). The violence reaches a climax as Heathcliff strikes Cathy in the face and storms out of the room. In this scene, Cathy’s determination and assertion is similar to Catherine Linton’sRead MoreNonverbal Communication Essay1413 Words   |  6 PagesIn a romantic relationship, it is easy to have miscommunication between a man and a woman. â€Å"Most researchers agree that 70% or more of the meaning of any message is communicated through nonverbal channels like eye contact, facial expressions, posture, hand gestures, etc.† (Stinnett, 2015). 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Rather, it is a portrayal of an ongoing problem that he faces all through life: the incongruityRead MoreA Love Story in E.M Forster’sA Room with a View 1352 Words   |  5 PagesForster’s, A Room with a view, focuses on the love story and development of Lucy Honeychurch who is torn between the expectations of the world in which she moves and the passionate yearning of her heart. Although, A Room with a View largely explores the idea of deciding between true love and meeting the expectations of behaviour and beliefs of the society, the novel also follows Lucy’s coming of age. The conflict between social convention and true love is shown through the comparison of Lucys love for GeorgeRead More Communication in Gustave Flauberts Madame Bovary Essay1744 Words   |  7 PagesCommunication in Gustave Flauberts Madame Bovary      Ã‚  Ã‚   In Gustave Flauberts Madame Bovary, the quest for the sublime and perfect expression seems to be trapped in the inability to successfully verbalize thoughts and interpret the words of others. The relationship between written words and how they are translated into dialogue and action is central in evaluating Emmas actions and fate, and ultimately challenges the reader to look at the intricacies of communication.    FlaubertsRead MoreCharacter Analysis of Mr. Darcy in Pride and Prejudice Essay1019 Words   |  5 PagesPrejudice as a tall, handsome, self-absorbed aristocrat, Darcy experiences a change in personality and character. In order to dispose of his existent views on money and marriage, Darcy needed to feel something, to fall in love. Although he was well mannered, he did not know how to treat women with respect, especially those of a lesser economic status. The love of Elizabeth Bennet, however, changed his behavior. The reader is first acquainted with Mr. Darcys arrogance at the Meryton Ball. Speaking ofRead MoreCharacter Analysis: Mr. Darcy Essay1052 Words   |  5 PagesPrejudice as a tall, handsome, self-absorbed aristocrat, Darcy experiences a change in personality and character. In order to dispose of his existent views on money and marriage, Darcy needed to feel something, to fall in love. Although he was well mannered, he did not know how to treat women with respect, especially those of a lesser economic status. The love of Elizabeth Bennet, however, changed his behavior. The reader is first acquainted with Mr. Darcys arrogance at the Meryton Ball. 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Lamb The Gospel According to Biff, Christ’s Childhood Pal Chapter 21 Free Essays

string(89) " some of the sheep bladders with rendered fat, and bundle the wool in some kind of hide\." Chapter 21 â€Å"You make a very attractive woman,† Rumi said from the comfort of his pit. â€Å"Did I tell you that my wife has passed on to her next incarnation and that I am alone?† â€Å"Yeah, you mentioned that.† He seemed to have given up on us getting his daughter back. We will write a custom essay sample on Lamb: The Gospel According to Biff, Christ’s Childhood Pal Chapter 21 or any similar topic only for you Order Now â€Å"What happened to the rest of your family, anyway?† â€Å"They drowned.† â€Å"I’m sorry. In the Ganges?† â€Å"No, at home. It was the monsoon season. Little Vitra and I had gone to the market to buy some swill, and there was a sudden downpour. When we returned†¦Ã¢â‚¬  He shrugged. â€Å"I don’t mean to sound insensitive, Rumi, but there is a chance that your loss could have been caused by – oh, I don’t know – perhaps the fact that you LIVE IN A FUCKING PIT!† â€Å"That’s not helping, Biff,† Joshua said. â€Å"You said you had a plan?† â€Å"Right. Rumi, am I correct in assuming that these pits, when someone is not living in them, are used for tanning hides?† â€Å"Yes, it is work that only Untouchables may do.† â€Å"That would account for the lovely smell. I assume you use urine in the tanning process, right?† â€Å"Yes, urine, mashed brains, and tea are the main ingredients.† â€Å"Show me the pit where the urine is condensed.† â€Å"The Rajneesh family is living there.† â€Å"That’s okay, we’ll bring them a present. Josh, do you have any lint in the bottom of your satchel?† â€Å"What are you up to?† â€Å"Alchemy,† I said. â€Å"The subtle manipulation of the elements. Watch and learn.† When it was not being used, the urine pit was the home of the Rajneesh family, and they were more than happy to give us loads of the white crystals that covered the floor of their home. There were six in the family, father, mother, an almost grown daughter, and three little ones. Another little son had been taken for sacrifice at the festival of Kali. Like Rumi, and all the other Untouchables, the Rajneesh family looked more like skeletons mummified in brown leather than people. The Untouchable men went about the pits naked or wearing only a loincloth, and even the women were dressed in tatters that barely covered them – nothing as nice as the stylish sari that I had purchased in the marketplace. Mr. Rajneesh commented that I was a very attractive woman and encouraged me to drop by after the next monsoon. Joshua pounded chunks of the crystallized mineral into a fine white powder while Rumi and I collected charcoal from under the heated dying pit (a firebox had been gouged out of the stone under the pit) which the Untouchables used to render the flowers from the indigo shrub into fabric dye. â€Å"I need brimstone, Rumi. Do you know what that is? A yellow stone that burns with a blue flame and gives off a smoke that smells like rotten eggs?† â€Å"Oh yes, they sell it in the market as some sort of medicine.† I handed the Untouchable a silver coin. Go buy as much of it as you can carry.† â€Å"Oh my, this will be more than enough money. May I buy some salt with what is left?† â€Å"Buy what you need with what’s left over, just go.† Rumi skulked away and I went to help Joshua process the saltpeter. The concept of abundance was an abstract one to the Untouchables, except as it pertained to two categories, suffering and animal parts. If you wanted decent food, shelter, or clean water, you would be sorely disappointed among the Untouchables, but if you were in the market for beaks, bones, teeth, hides, sinew, hooves, hair, gallstones, fins, feathers, ears, antlers, eyeballs, bladders, lips, nostrils, poop chutes, or any other inedible part of virtually any creature that walked on, swam under, or flew over the subcontinent of India, then the Untouchables were likely to have what you wanted lying around, conveniently stored beneath a thick blanket of black flies. In order to fashion the equipment I needed for my plan, I had to think in terms of animal parts. Fine unless you need, say, a dozen short swords, bows and arrows, and chain mail for thirty soldiers and all you have to work with is a stack of nostrils and three mismatched poop chutes. It was a challenge, but I made do. As Jo shua moved among the Untouchables, surreptitiously healing their maladies, I barked out my orders. â€Å"I need eight sheep bladders – fairly dry – two handfuls of crocodile teeth, two pieces of rawhide as long as my arms and half again as wide. No, I don’t care what kind of animal, just not too ripe, if you can manage it. I need hair from an elephant’s tail. I need firewood, or dried dung if you must, eight oxtails, a basket of wool, and a bucket of rendered fat.† And a hundred scrawny Untouchables stood there, eyes as big as saucers, just staring at me while Joshua moved among them, healing their wounds, sicknesses, and insanities, without any of them suspecting what was happening. (We’d agreed that this was the wisest tack to take, as we didn’t want a bunch of healthy Untouchables athletically bounding through Kalighat proclaiming that they had been cured of all ills by a strange foreigner, thus attracting attention to us and spoiling my plan. On the other hand, neither could we stand there and watch these people suffer, knowing that we – well, Joshua – had the power to help them.) He’d also taken to poking one of them in the arm with his finger anytime anyone said the word â€Å"Untouchable.† Later he told me that he just hated passing up the opportunity for palpable irony. I cringed when I saw Joshua touching the lepers among them, as if after all these years away from Israel a tiny Pharisee stood on my shoulder and screamed, â€Å"Unclean!† â€Å"Well?† I said after I’d finished my orders. â€Å"Do you want your children back or not?† â€Å"We don’t have a bucket,† said one woman. â€Å"Or a basket,† said another. â€Å"Okay, fill some of the sheep bladders with rendered fat, and bundle the wool in some kind of hide. You read "Lamb: The Gospel According to Biff, Christ’s Childhood Pal Chapter 21" in category "Essay examples" Now go, we don’t have a lot of time.† And they all stood and looked at me. Big eyes. Sores healed. Parasites purged. They just looked at me. â€Å"Look, I know my Sanskrit isn’t great, but you do know what I am asking?† A young man stepped forward. â€Å"We do not want to anger Kali by depriving her of her sacrifices.† â€Å"You’re kidding, right?† â€Å"Kali is the bringer of destruction, without which there can be no rebirth. She is the remover of the bondage that ties us to the material world. If we anger her, she will deprive us of her divine destruction.† I looked at Joshua across the crowd. â€Å"Do you understand this?† â€Å"Fear?† he said. â€Å"Can you help?† I asked in Aramaic. â€Å"I’m not good at fear,† Joshua said in Hebrew. I thought for a second as two hundred eyes pinned me to the sandstone on which I stood. I remembered the red-stained gashes on the wooden elephant statues at the altar of Kali. Death was their deliverance, was it? â€Å"What is your name?† I asked the man who had stepped out of the crowd. â€Å"Nagesh,† he said. â€Å"Stick out your tongue, Nagesh.† He did, and I threw back the cloth that covered my head and loosened it around my neck. Then I touched his tongue. â€Å"Destruction is a gift you value?† â€Å"Yes,† said Nagesh. â€Å"Then I shall be the instrument of the goddess’s gift.† With that I pulled the black glass dagger from the sheath in my sash, held it up before the crowd. While Nagesh stood, passive, wide-eyed, I drove my thumb under his jaw, pushed his head back, and brought the dagger down across his throat. I lowered him to the ground as the red liquid spurted over the sandstone. I stood and faced the crowd again, holding the dripping blade over my head. â€Å"You owe me, you ungrateful fucks! I have brought to your people the gift of Kali, now bring me what I ask for.† They moved really quickly for people who were on the edge of starvation. After the Untouchables scattered to do my bidding, Joshua and I stood over the bloodstained body of Nagesh. â€Å"That was fantastic,† Joshua said. â€Å"Absolutely perfect.† â€Å"Thanks.† â€Å"Had you been practicing all that time we were in the monastery?† â€Å"You didn’t see me push the pressure point in his neck then?† â€Å"No, not at all.† â€Å"Gaspar’s kung fu training. The rest, of course, was from Joy and Balthasar.† I bent over and opened Nagesh’s mouth, then took the ying-yang vial from around my neck and put a drop of the antidote on the Untouchable’s tongue. â€Å"So he can hear us now, like when Joy poisoned you?† Joshua asked. I pulled back one of Nagesh’s eyelids and watched the pupil contract slowly in the sunlight. â€Å"No, I think he’s still unconscious from me holding the pressure point. I didn’t think the poison would work quickly enough. I could only get a drop of poison on my finger when I loosened my sari. I knew it would keep him down, I just wasn’t sure it would put him down.† â€Å"Well, you are truly a magus, now, Biff. I’m impressed.† â€Å"Joshua, you healed a hundred people today. Half of them were probably dying. I did some sleight of hand.† My friend’s enthusiasm was undeterred. â€Å"What’s the red stuff, pomegranate juice? I can’t figure out where you concealed it.† â€Å"No, actually I was going to ask you about that.† â€Å"What?† I held my arm up and showed Joshua where I had slashed my own wrist (the source of blood for the show). I had been holding it against my leg and as soon as I removed the pressure the blood started spurting again. I sat down hard on the sandstone and my vision began to tunnel down to a pinpoint. â€Å"I was hoping you could help me out with this,† I said before I fainted. â€Å"You need to work on that part of the trick,† Joshua said when I came to. â€Å"I might not always be around to fix your wrist.† He was speaking Hebrew – that meant for my ears only. I saw Joshua kneeling above me, then beyond him the sky was blotted out by curious brown faces. The recently murdered Nagesh was in the front of the crowd. â€Å"Hey, Nagesh, how’d the rebirth go?† I asked in Sanskrit. â€Å"I must have strayed from my dharma in my last life,† Nagesh said. â€Å"I have been reincarnated, once again, as an Untouchable. And I have the same ugly wife.† â€Å"You challenged master Levi who is called Biff,† I said, â€Å"of course you didn’t move up. You’re lucky you’re not a stink bug or something. See, destruction isn’t the big favor you all thought it was.† â€Å"We brought the things you asked for.† I hopped to my feet feeling incredibly rested and energized. â€Å"Nice,† I said to Joshua. â€Å"I feel like I just had one of those strong coffees you used to make at Balthasar’s.† â€Å"I miss coffee,† said Josh. I looked at Nagesh, â€Å"I don’t suppose you†¦Ã¢â‚¬  â€Å"We have swill.† â€Å"Never mind,† I said. Then I said one of those things that as a boy growing up in Galilee, you never think you’ll hear yourself say: â€Å"Okay, Untouchables, bring me the sheep bladders!† Rumi said that the goddess Kali was served by a host of black-skinned female demons, who sometimes during the feast would bring men to corners of the altar and copulate with them as blood rained down from the goddess’s saw-tooth maw above. â€Å"Okay, Josh, you’re one of them,† I said. â€Å"What are you gonna be?† â€Å"The goddess Kali, of course. You got to be God last time.† â€Å"What last time?† â€Å"All of the last times.† I turned to my intrepid minions. â€Å"Untouchables, paint him up!† â€Å"They’re not going to buy that a burr-headed Jewish kid is their goddess of destruction.† â€Å"O ye of little faith,† I said. Three hours later we were again crouched beneath a tree near the temple of Kali. We were both dressed as women, covered from head to toe by our saris, but I was looking much lumpier under mine due to Kali’s extra arms and garland of severed heads, played tonight by painted sheep bladders filled with explosives and suspended around my neck by long strands of elephant tail hair. Any observers who might get close enough to notice my protrusions were quickly deterred by the smell coming off of Joshua and me. We had used the goo from the bottom of Rumi’s pit to paint our bodies black. I didn’t have the courage to ask what the substance had been in life, but if there was a place where they allowed vultures to ripen in the sun before pounding them into a smooth paste and mixing it with just the right amount of buffalo squat, then Rumi called it home. The Untouchables had also painted huge red rings around Joshua’s eyes, fitted him with a ropey wig of oxtails, and affixed to his torso six pert little breasts fashioned from pitch. â€Å"Stay away from any open flame. Your tits will go up like volcanos.† â€Å"Why did I have to have six and you only had to have two.† â€Å"Because I am the goddess and have to wear the garland of skulls and the extra arms.† We’d made my arms from rawhide, using my primary arms as models, then drying the molded arms in place over the fire. The women made a harness that held the extra arms in place under my own, then we painted the arms black with the same black goo. They were a little wobbly, but they were light and would look realistic enough in the dark. It was still hours from the height of the ceremony at midnight, when the children would be hacked to death, but we wanted to be there in time to stop the revelers from cutting off the children’s fingers if we could. Now, the wooden elephants were empty on their turntables, but the altar of Kali was already filling with gruesome tribute. The heads of a thousand goats had been laid on the altar before the goddess, and the blood ran slick over the stones and in the grooves that channeled it into large brass pots at the corners of the altar. Female acolytes carried the pots up a narrow ladder at the back of the great statue of Kali, then dumped them through some sort of reservoir that fed it through the goddess’s jaws. Below, by torchlight, worshipers danced in the sticky shower as the blood flowed down upon them. â€Å"Look, those women are dressed like me,† Joshua said. â€Å"Except they only have two breasts each.† â€Å"Technically, they’re not dressed, they’re painted. You make a very attractive female demon, Josh. Did I tell you that?† â€Å"This isn’t going to work.† â€Å"Of course it’s going to work.† I guessed that there were already ten thousand worshipers in the temple square, dancing, chanting, and beating drums. A procession of thirty men came down the main boulevard, each carrying a basket under his arm. As they reached the altar, each man dumped the contents of the basket over the rows of bloody goat heads. â€Å"What are those?† Joshua asked. â€Å"Those are exactly what you think they are.† â€Å"They’re not the heads of the children?† â€Å"No, I think those are the heads of strangers who happened down the road we were on before Rumi came along to pull us into the grass.† After the severed heads were dispersed across the altar, the female acolytes came out of the crowd dragging the headless corpse of a man, which they laid on the steps leading to the altar. Each one mimed having intercourse with the corpse, then rubbed their genitalia against the bloody stump of its neck before dancing away, blood and ochre dripping down the insides of their thighs. â€Å"There’s sort of a theme developing here,† I said. â€Å"I think I’m going to be sick,† Joshua said. â€Å"Mindful breath,† I said, using one of the phrases that Gaspar was always barking at us when we were learning meditation. I knew that if Joshua could stay with the yeti for days at a time without freezing to death, he could certainly conjure up the bodily control to keep from throwing up. The sheer magnitude of the carnage was all that was keeping me from vomiting. It was as if the atrocity of the whole scene couldn’t fit in my mind all at once, so I could only see just enough for my sanity and my stomach to remain intact. A shout went up in the crowd now and I could see a torch-lit sedan chair being carried above the heads of the worshipers. On it reclined a half-naked man with a tiger skin wrapped around his hips, his skin painted light gray with ashes. His hair was plaited with grease and he wore the bones of a human hand as a skullcap. Around his neck hung a necklace of human skulls. â€Å"High priest,† I said. â€Å"They aren’t even going to notice you, Biff. How can you even get their attention after they’ve seen all this?† â€Å"They haven’t seen what I’m going to show them.† As the sedan chair emerged from the crowd in front of the altar, we could see a procession following it: tied to the back of the sedan chair was a line of naked children, most of them not more than five or six, their hands tied together, a less ornately dressed priest on either side of them to steady them. The priests began to untie the children and take them to the great wooden elephants lining the boulevard. Here and there in the crowd I could see people beginning to brandish edged weapons: short swords, axes, and the long-bladed spears Joshua and I had seen over the elephant grass. The high priest was sitting on the headless corpse, shouting a poem about the divine release of Kali’s destruction or something. â€Å"Here we go,† I said, pulling the black glass dagger from under my sari. â€Å"Take this.† Joshua looked at the blade shimmering in the torchlight. â€Å"I won’t kill anyone,† he said. Tears were streaming down his cheeks, drawing long red lines through the black and if anything making him look more fierce. â€Å"That’s fine, but you’ll need to cut them loose.† â€Å"Right.† He took the knife from me. â€Å"Josh, you know what’s coming. You’ve seen it before. Nobody else here has, especially those kids. You can’t carry all of them, so they have to have enough of their wits about them to follow you. I know you can keep them from being afraid. Put your teeth in.† Joshua nodded and slipped the row of crocodile teeth attached to a piece of rawhide under his upper lip, leaving the teeth to protrude like fangs. I put in my own false fangs, then ran into the dark to circle the crowd. As I approached the rear of the altar I pulled the special torch I’d made from under my girdle of human hands. (Actually my girdle of human hands was made of dried goat’s udders stuffed with straw, but the Untouchable women had done a pretty good job as long as no one bothered to count fingers.) Through Kali’s stone legs I could see the priests tying each of the children on the trunk of a wooden elephant. As soon as the bonds were tight, each priest drew a bronze blade and held it aloft, ready to strike off a finger as soon as the high priest gave the signal. I struck the tip of my torch on the edge of the altar, screamed for all I was worth, then threw my sari off and ran up the steps as the torch burst into dazzling blue flame that trailed sparks behind me as I ran. I hopped across the array of goat heads and stood between the legs of the statue of Kali, my torch held aloft in one hand, one of my severed heads swinging by the hair in the other. â€Å"I am Kali,† I screamed. â€Å"Fear me!† It came out sort of mumbled through my fake teeth. Some of the drums stopped and the high priest turned around and looked at me, more because of the bright light of the torch than my fierce proclamation. â€Å"I am Kali,† I shouted again. â€Å"Goddess of destruction and all this disgusting crap you have here!† They weren’t getting it. The priest signaled for the other priests to come around me from the sides. Some of the female acolytes were already trying to make their way across the dance floor of decapitations toward me. â€Å"I mean it. Bow down to me!† The priests charged on. I did have the crowd’s attention, though unfortunately they weren’t cowering in fear at my angry goddessness. I could see Joshua moving around the wooden elephants, the guarding priests having left their posts to come after me. â€Å"Really! I mean it!† Maybe it was the teeth. I spit them out toward the nearest of my attackers. Running across a sea of slick, bloody heads is evidently a pretty difficult task. Not if you’ve spent the last six years of your life hopping from the top of one post to another, even in ice and snow, but for the run-of-the-mill homicidal priest, it’s a tough row to hoe. The priests and acolytes were slipping and sliding among the goat and human heads, falling over each other, smacking into the feet of the statue, one even impaling himself on a goat’s horn when he fell. One of the priests was only a few feet away from me now, trying not to fall on his own blade as he crawled over the mess. â€Å"I will bring destruction†¦oh, fuck it,† I said. I lit the fuse on the severed head I held in my hand, then swung it between my legs and tossed it in a steep arch over my head. It trailed sparks on its way into the black goddess’s open maw, then disappeared. I kicked the approaching priest in the jaw, then danced across the goat heads, leapt over the head of the high priest, and was halfway to Joshua at the first wooden elephant when Kali, with a deafening report, breathed fire out over the crowd and the top of her head blew off. Finally, I had the crowd’s attention. They were trampling each other to get away, but I had their attention. I stood in the middle of the boulevard, swinging my second severed head in a circle, waiting for the fuse to burn down before I let it sail over the heads of the receding crowd. It exploded in the air, sending a circle of flame across the sky and no doubt deafening some of the worshipers who were close. Joshua had seven of the children around him, clinging to his legs as he moved to the next elephant. Several of the priests had recovered and were storming down the steps of the altar toward me, knives in hand. I pulled another head from my garland, lit the fuse, and held it out to them. â€Å"Ah, ah, ah,† I cautioned. â€Å"Kali. Goddess of destruction. Wrath et cetera.† At the sight of the sparking fuse they stopped and began to backpedal. â€Å"Now that’s the sort of respect you should have shown before.† I started whirling the head by the hair and the priests lost all semblance of courage and turned and ran. I hurled the head back up the boulevard onto the altar, where it exploded, sending a spray of real severed goat heads in all directions. â€Å"Josh! Duck! Goat heads!† Joshua pushed the children to the ground and fell over them until the pieces settled. He glared at me a second, then went on to free the other children. I hurled three more heads into different directions and now the entire temple square was nearly deserted but for Joshua, the children, a few injured worshipers, and the dead. I had built the bombs without any shrapnel in them, so those who had been injured had been trampled in the panic and the dead were those who had already been sacrificed to Kali. I think we pulled it off without killing anyone. As Joshua led the children down the wide boulevard and out of the temple square, I covered our exit, backing down the boulevard, my last explosive head swinging in one hand, my torch in the other. Once I saw that Joshua and the children were safely away, I lit the fuse, whirled the head around and let it fly toward the black goddess. â€Å"Bitch,† I said. I was out of sight when it exploded. Joshua and I got as far as a limestone cliff overlooking the Ganges before we had to stop to let the children rest. They were tired and hungry, but mostly they were hungry, and we had brought nothing for them to eat. At least, after Joshua’s touch, they weren’t afraid, and that gave them some peace. Josh and I were too jangled to sleep, so we sat up as the children lay down on the rocks around us and snored like kittens. Joshua held Rumi’s little daughter, Vitra, and before long her face was smeared with black paint from nuzzling his shoulder. All through the night, as he rocked the child, all I heard Joshua say was, â€Å"No more blood. No more blood.† At first light we could see thousands, no, tens of thousands of people gathering at the banks of the river, all dressed in white, except for a few old men who were naked. They moved into the water and stood facing east, heads raised in anticipation, dotting the river as far as the eye could see. As the sun became a molten fingernail of light on the horizon, the muddy surface of the river turned golden. The gold light reflected off its surface onto the buildings, the shanties, the trees, the palaces, making everything in sight, including the worshipers, appear to have been gilded. And worshipers they were, for we could hear their songs from where we sat, and although we could not discern the words, we could hear that these were the songs of God. â€Å"Are those the same people from last night?† I said. â€Å"They would have to be, wouldn’t they?† â€Å"I don’t understand these people. I don’t understand their religion. I don’t understand how they think.† Joshua stood and watched the Indians bowing and singing to the dawn, looking occasionally to the face of the child that slept on his shoulder. â€Å"This is testament to the glory of God’s creation, whether these people know it or not.† â€Å"How can you say that? The sacrifices to Kali, the way the Untouchables are treated. Whatever they might believe, in practice their religion is hideous.† â€Å"You’re right. It’s not right to condemn this child because she was not born a Brahman?† â€Å"Of course not.† â€Å"Then is it right to condemn her because she is not born a Jew?† â€Å"What do you mean?† â€Å"A man who is born a gentile may not see the kingdom of God. Are we, as Hebrews, any different from them? The lambs at the temple on Passover? The wealth and power of the Sadducees while others go hungry? At least the Untouchables can reach their reward eventually, through karma and rebirth. We don’t allow any gentile to do so.† â€Å"You can’t compare what they do to God’s law. We don’t sacrifice human beings. We feed our poor, we take care of the sick.† â€Å"Unless the sick are unclean,† Joshua said. â€Å"But, Josh, we’re the chosen. It’s God’s will.† â€Å"But is it right? He won’t tell me what to do. So I’ll say. And I say, no more.† â€Å"You’re not just talking about eating bacon, are you?† â€Å"Gautama the Buddha gave the way to people of all births to find the hand of God. With no blood sacrifice. Our doors have been marked with blood for too long, Biff.† â€Å"So that’s what you think you’re going to do? Bring God to everyone?† â€Å"Yes. After a nap.† â€Å"Of course, I meant after a nap.† Joshua held the little girl so I could see her face as she slept on his shoulder. When the children awoke we led them back to their families at the pits, handing them into the arms of their mothers, who snatched each child away from us as if we were devils incarnate; they glared over their shoulders as they carried the babies back to their pits. â€Å"Grateful bunch,† I said. â€Å"They are afraid that we’ve angered Kali. And we’ve brought them another hungry mouth.† â€Å"Still. Why did they help us if they didn’t want their children back?† â€Å"Because we told them what to do. That’s what they do. What they are told. That’s how the Brahmans keep them in line. If they do what they are told, then perhaps they will not be Untouchables next life.† â€Å"That’s depressing.† Joshua nodded. We only had little Vitra to return to her father now, and I was sure that Rumi would be happy to see his daughter. His distress over losing her had basically been the reason he had saved our lives. As we came over the sandstone rise we could see that Rumi was not alone in his pit. Rumi stood on his sitting rock, stark naked, sprinkling salt on his erect member as a large humpbacked cow, which nearly filled the rest of the pit, licked at the salt. Joshua held Vitra so she faced away from the pit, then backed away, as if he didn’t want to disturb the moment of beefy intimacy. â€Å"A cow, Rumi?† I exclaimed. â€Å"I thought you people had beliefs.† â€Å"That’s not a cow, that’s a bull,† Joshua said. â€Å"Oh, that’s got to be your super-bonus abomination there. Where we come from whole cities get destroyed for that kind of thing, Rumi.† I reached over and put my hand over Vitra’s eyes. â€Å"Stay away from Daddy, honey, or you’ll turn into a pillar of salt.† â€Å"But this is my wife, reincarnated.† â€Å"Oh, don’t try that one on me, Rumi. For six years I lived in a Buddhist monastery where the only female company was a wild yak. I know from desperate.† Joshua grabbed my arm. â€Å"You didn’t?† â€Å"Relax, I’m just making a point. You’re the Messiah here, Josh. What do you think?† â€Å"I think we need to go to Tamil and find the third magus.† He set Vitra down and Rumi quickly pulled up his loincloth as the child ran to him. â€Å"Go with God, Rumi,† Joshua said. â€Å"May Shiva watch over you, you heretics. Thank you for returning my daughter.† Joshua and I gathered up our clothes and satchels, then bought some rice in the market and set out for Tamil. We followed the Ganges south until we came to the sea, where Joshua and I washed the gore of Kali from our bodies. We sat on the beach, letting the sun dry our skin as we picked pitch out of our chest hairs. â€Å"You know, Josh,† I said, as I fought a particularly stubborn gob of tar that had stuck in my armpit, â€Å"when you were leading those kids out of the temple square, and they were so little and weak, but none of them seemed afraid†¦well, it was sort of heartwarming.† â€Å"Yep, I love all the little children of the world, you know?† â€Å"Really?† He nodded. â€Å"Green and yellow, black and white.† â€Å"Good to know – Wait, green?† â€Å"No, not green. I was just fuckin’ with you.† How to cite Lamb: The Gospel According to Biff, Christ’s Childhood Pal Chapter 21, Essay examples

Business Research and Communication Label Testing

Question: Describe about the Business Research and Communication for Label Testing. Answer: Does the label against animal testing influence the consumers behavior of willingness to pay Fact Sheet: Cosmetic Testing The Humane Society of United States Rubin, D. (2004) Fact Sheet: Cosmetic Testing The Humane Society of United States. British Medical Journal, 328(514). According to The Humane Society, the cosmetic manufacturing companies can ensure the customers that their product is not tested on love animals by letting customers know with a written prove. Nowadays cosmetic products have it written on their labels that their product is not tested on live animals. This type of labels gives people an assurance that they are using products which are not stained with dead animals blood. There are so many ways to test the products before launching it in the market. They can ensure that their product is a safety by using thousands of ingredients that are used for experiments. Moreover, they can also do one thing that will not need the step of experiments. They can use eco-friendly products that will not affect the human body parts in any way. Using chemicals not only produces harmful remnants but also poses a greater tendency to have hazardous side effects. Use of chemicals also causes pollution of the earth tremendously. They also have got the option do the experiments which will not involve the live animals. In the present days, there are many ways of no animal testing available in the market. So the experimentalists should opt for these methods rather than animal testing. Death: The Price of Beauty: Animal Testing and the Cosmetics Industry by Kelly Renz Mcneal Mcneal, K.R. (1999). Death. The Price Of Beauty: Animal Testing And The Cosmetics Industry. It is very true that the price of beauty is death. People just want to be fully selfish. And the manufacturers are more concerned about their own sales and products. The poor animals who does not even know the meaning of cosmetics is being brutally treated with harsh chemicals just for the sake of experimentation. The company products should be labeled "warning" if they have any problems with the product. It is a very moral issue. Business is important but not at cost of anybody's lives. That also a business that uses the heat and patience. The Hidden Costs of Sexier Lipstick: Animal Testing in the Cosmetic Industry 1999 year has brought the death of death of many animals. Animal testing in cosmetic industry is a crime in most of the developing countries. There are many wild animals which are being hunted for such experiments. This is not right. And we being human, this is not expected from us. Earlier from the middle 0f, the society animal experimentation was highly in the run. There was no other way as if. It took a long way run to explain to people that experiments on the live animal are not only painful but also deadly. It takes away the lives of many unnecessary animals for no reason at all. It is not that condition where if a person uses any animal injured then he or she can go and get it cured, this is a condition where purposely and intentionally animals are brutally killed. The government has already imposed laws and regulations from violating the rules of experimental approaches. Product Testing: Toxic and Tragic: (April 21, 2005) Animal used for experimentation PETA Pawlowski, J. (2015). PETA fuels animal lab improvements.Science, 347(6224), pp.834-834. Many animals are caged and kept in isolation for the sake of experimentation and research. Not all animals used for these purpose, animals such as cats, mice, dogs, rabbits, guinea pigs and many other animals who can be kept in cages in closed rooms are used for experimentation and research values. They feel lonely and isolated in the cages in the laboratories. Not only in cosmetic manufacturing companies they are used but they are also used in many other manufacturing companies. They should not be used for such purposes as this affects their not only physical health but also deteriorates their mental status. They lose the morality of life. This is a very inhuman deed in the case of the human clans. It is a very painful deed to do. They should not be used for any such works, as they are also living organism and they also have their own way of ecological life to lead. Cosmetics tested on animals to be banned in Australia- Herald Sun 2nd June, 2016 Smethurst, A. (2016) Cosmetics tested on animals to be banned in Australia. Herald Sun. Recently it has been decided by the Federal law that all products that have been found to be tested on animals in their laboratories will be banned from stores. From this year July only this law has been applicative in here. No products from tested animals will be allowed in the stores. But the government has been lenient enough not to throw away the existing products from the shelves but this law will be applicable only the new upcoming products. As at one go, it was not possible to ban animal testing in all sectors of manufacturing company. But mainly it is the cosmetics company which have to avoid the experimentation on animals. Till now only the drugs company and experiments related to the medical sector can be done. The RSPCA says that many cosmetic companies like Johnson, Revlon were involved in animal experimentations in their laboratories. Ethical cosmetics bill 2016 Chun, R. (2014). What Holds Ethical Consumers to a Cosmetics Brand: The Body Shop Case.Business Society, 55(4), pp.528-549. Ethical Bill 2016 Australia amends the Industrial Chemicals (Notification and Assessment) Act 1989 some new offenses with regards to the testing of live animals for cosmetic experiments. It has also opted for the stopping of animal tested cosmetics importing into the country. The manufacturing of live animals tested products is also banned in Australia. Not only that it has also banned and stopped the process of testing on live animals for and experimental purpose. It is a legal that made harsh execution over the law in Australia now. And if anybody violates this law then they are to be severely punished by law or imposed with huge fines. It is very true that these experiments cause severe drawbacks in the ecology as it kills calls handicaps many innocent animals unnecessarily. This inhuman activity should be banned only as it has no right to spoil the lives of innocent just for the good being of human beings. This proves the selfish character of human beings. Hence it is really a good attempt by the Australian Law.